I've got some catching up to do on recent news - I received a 2011 CAAP grant from the City of Chicago for the second year in a row. (Thanks, Chicago!) The grant will go to purchasing supplies so that I can really experiment without being stingy.
I also have 3 paintings from my new series up at Collaboraction's new multi-use space in the Flat Iron Building in Bucktown. The space is called the Mush Room (Room 300) and the inaugural show includes myself and 4 other artists, curated by Wesley Kimler and Paul Klein. It will be up through August so if you haven't seen it, you should check it out.
I feel like I've gotten some good work done in the studio today. I got an early start and made some major adjustments in my studio space. I have been desperately needing a bigger palette so I finally cleaned up one of the old windows that were replaced in my apartment and set it up as my new palette.
I'm also trying to de-clutter. There are still piles of junk laying around from when I moved in 2 years ago. I have been fantasizing about renting an actual studio space - it's a goal that I'm working towards. I am outgrowing my space in my apartment and just don't have enough space to put everything. I don't want to limit myself either - I don't want to avoid painting large pieces and I want to be able to work on multiple pieces without having to undergo a major rearrangement. I think I do a goo job of making a small space work, but the time is coming where I just won't be able to do it any more.
Playlist: Holly Golightly Philip Glass Grace Potter and the Nocturnals Ben Harper
I've been chipping away at these paintings in my new series, starting over multiple times on each canvas, searching for the direction to push. It seems I take one step forward, two steps back; I get excited and then discouraged, and am waiting for something to jump out from these new paintings that is what I'm looking for/trying to coax out from this work. So far in one of these paintings there is an excellent cluster of brush strokes on one cheek, a jawline that blends into the background in a way I really like, and an eye made up of a few simple blocks of color that I'm happy with. It's a short list, but it's something.
To do: Another coat on background Hair definition- look at references shoulders- figure out angle eyes- fix?
Wood panel florals sketch out next painting Deanna- ??
Playlist: Jack Johnson Van Morrison An Object of Beauty by Steve Martin The Books- Lemon of Pink
Also tonight is the opening reception for The Paul Show- a show of the artists that were in Paul Klein's inaugural class at Klein Artist Works. I will be heading over there this evening to check it out.
...Exhibition Viewing Hours: Saturday and Sunday noon to 4 p.m. or by appointment at (773) 871-9046.
About the Exhibition: The first crew of artists from Paul Klein’s new and much-lauded training center, "Klein Artist Works", will be staging an exhibition of their works at the up-and-coming Charnel House, a new multi-arts center located in Logan Square, run by Klein Artists Works member Victoria Szilagyi and local playwright/director Billy Bermingham.
Members of the group include professors, working and emerging artists. Their ages span generations and their media is diverse.
ARTISTS: Jess Beyler, Jason Brammer, Tom Burtonwood, Robert Fields, Doug Frohman, Teresa Getty, Tatjana Jovancevic, Dellamarie Parrilli, Andrew Rigsby, René Romero Schuler, Johannah Silva, Hoyun Son, Victoria Szilagyi, Jill Pope West, Peggy Wolff
Back in the studio- I'm trying to get earlier starts in the studio because my natural light is gone by around 5pm. I notice that I start to make everything worse when it starts to get dark, even though I have lights. I can't wait until I can have a proper work space with good lighting, enough space to set everything, and that's dedicated to work so I don't have to pick everything up when I'm finished. I may just be feeling a little bit of cabin fever because it's winter in Chicago and I am missing warmth and being able to get outside and do things.
Yesterday I continued to work on three of the paintings I have going. Some moves are going forward, some are going backward, but I think I am learning. The glimpses of forward movement are few and far between, but I guess I should be reminding myself that good paintings can take a while to make.
One of the things I get to see while working for Wesley is how long he works on a painting. This year he's been re-working some of them that he started (and maybe thought they were complete) years ago. It's almost like they needed to sit and settle for a while before they could become complete. Or I think part of it is that he continues to grow and mature as an artist and so can make paintings better now than was possible for him 5 years ago.
I think that should be the hope of other artists. I see a lot of artists that peak early, and their growth gets stunted. They stop pushing themselves and trying to get to the next level and rely on some previous success or affirmation, rather than stepping out of their formula to risk failure.
To Do: Work on "Double Fatigue"- my forehead, neck and bring back some brushwork "Deanna"- Continue to develop neck/shoulders "Aerobic": work on body, forehead, neck
I've been looking at the following artists for various things:
Szalbocs Veres- painterly quality, color pallette:
Philip Guston- feeling of flesh:
Frank Auerbach- gesture and working with impasto:
I've been working hard in my studio, but still dissatisfied with what I've been producing. I feel like I start to make some moves forward, and then I halt or go backwards. I'm working and reworking several paintings, trying to push myself out of where I'm at right now. It's generally frustrating and disappointing, but really exciting when I feel like I've done something good, even if it's one small area of a painting. Overall though, I have no idea where I'm taking these paintings other than away from where they are now.
Here is a quick study I did on paper:
And here's a larger piece that's gone through many changes and is still in progress:
Not too much has been happening here on Chicago Studio Visit as blogger.com has been giving me troubles. That and I've been experimenting quite a bit in the studio and don't feel like I have too much worth showing yet. I'm doing a lot of playing and trying out different things, some of which work out and some which don't. I've been working in oil paint which I'm trying to get used to again. I'm also trying to get away from the photograph in my paintings.
Here is an image of one of the paintings I've been working on in my new series.
To do: stretch canvas prime canvas prime new papers 2 studies on paper
Sometimes it's hard to think of being an artist as a real job. If you're a studio artist, it's likely that you don't have a boss or co-workers, scheduled work hours or pre-determined objectives. You have to do all of it yourself. No one is really watching to see if you are being productive or doing your job well. Rarely are there deadlines, critiques, peers, competition... all things that I miss and am less productive without.
This blog is my way of setting some accountability for myself. In my regular studio routine, I sit down before I start to paint and write a to-do list. I intend for this blog to record my to-do list and my thoughts on my process. It's purely a tool to remind myself that there is more work to be done, and to help me track what I've accomplished.
News
July 2011- Group Show at the Mush Room
June 2011- Received CAAP grant from the city of Chicago
October 2010- "About Face" exhibition at Eyeporium Gallery
June 2010- Received CAAP grant from the city of Chicago
June 2010- "You think I'm Joking?" published in Perceptions, Magazine for the Arts
May 2010- Received grant from the Puffin Foundation
March 2010- Solo show at Fermilab Art Gallery
February 2010- Cultural Excavation, Group show at Chicago Art Department
in the studio today. I got an early start and made some major adjustments in my studio space. I have been desperately needing a bigger palette so I finally cleaned up one of the old windows that were replaced in my apartment and set it up as my new palette.
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