The Paul Show

Also tonight is the opening reception for The Paul Show- a show of the artists that were in Paul Klein's inaugural class at Klein Artist Works. I will be heading over there this evening to check it out.

From the Facebook event page:

::: THE PAUL SHOW | February 5 – 20, 2011 :::
http://www.thecharnelhousechicago.com/upcoming.html

Opening Reception: Saturday, February 5th, 6 – 9 pm (refreshments served)

...Exhibition Viewing Hours: Saturday and Sunday noon to 4 p.m. or by appointment at (773) 871-9046.

About the Exhibition: The first crew of artists from Paul Klein’s new and much-lauded training center, "Klein Artist Works", will be staging an exhibition of their works at the up-and-coming Charnel House, a new multi-arts center located in Logan Square, run by Klein Artists Works member Victoria Szilagyi and local playwright/director Billy Bermingham.

Members of the group include professors, working and emerging artists. Their ages span generations and their media is diverse.

ARTISTS: Jess Beyler, Jason Brammer, Tom Burtonwood, Robert Fields, Doug Frohman, Teresa Getty, Tatjana Jovancevic, Dellamarie Parrilli, Andrew Rigsby, René Romero Schuler, Johannah Silva, Hoyun Son, Victoria Szilagyi, Jill Pope West, Peggy Wolff

http://www.facebook.com/event.php?eid=143453502377793

Working

Time in: 1:00pm

Back in the studio- I'm trying to get earlier starts in the studio because my natural light is gone by around 5pm. I notice that I start to make everything worse when it starts to get dark, even though I have lights. I can't wait until I can have a proper work space with good lighting, enough space to set everything, and that's dedicated to work so I don't have to pick everything up when I'm finished. I may just be feeling a little bit of cabin fever because it's winter in Chicago and I am missing warmth and being able to get outside and do things.

Yesterday I continued to work on three of the paintings I have going. Some moves are going forward, some are going backward, but I think I am learning. The glimpses of forward movement are few and far between, but I guess I should be reminding myself that good paintings can take a while to make.

One of the things I get to see while working for Wesley is how long he works on a painting. This year he's been re-working some of them that he started (and maybe thought they were complete) years ago. It's almost like they needed to sit and settle for a while before they could become complete. Or I think part of it is that he continues to grow and mature as an artist and so can make paintings better now than was possible for him 5 years ago.

I think that should be the hope of other artists. I see a lot of artists that peak early, and their growth gets stunted. They stop pushing themselves and trying to get to the next level and rely on some previous success or affirmation, rather than stepping out of their formula to risk failure.

To Do:
Work on "Double Fatigue"- my forehead, neck and bring back some brushwork
"Deanna"- Continue to develop neck/shoulders
"Aerobic": work on body, forehead, neck

Looking at:

I've been looking at the following artists for various things:

Szalbocs Veres- painterly quality, color pallette:


Philip Guston- feeling of flesh:

Frank Auerbach- gesture and working with impasto:

I've been working hard in my studio, but still dissatisfied with what I've been producing. I feel like I start to make some moves forward, and then I halt or go backwards. I'm working and reworking several paintings, trying to push myself out of where I'm at right now. It's generally frustrating and disappointing, but really exciting when I feel like I've done something good, even if it's one small area of a painting. Overall though, I have no idea where I'm taking these paintings other than away from where they are now.

Here is a quick study I did on paper:


And here's a larger piece that's gone through many changes and is still in progress: